Agamemnon
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Agamemnon
| Author: | Seneca |
| Category: | Survey Search [Edit] |
| Language: | Arabic |
| Pages: | 172 |
| File Size: | 2.03 MB |
| Extension: | |
| Creation Date: | 28 Oct 2011 |
| Rank: | 54,748 No 1 most popular |
| Short link: | Copy |
| More books like this book | |
Seneca
The Author Book Agamemnon and the author of 1 another books.
Lucius Annaeus Seneca (often known simply as Seneca, in Portugueses Sêneca; ca. 4 BC – 65 AD) was a Roman Stoic philosopher, statesman, dramatist, and in one work humorist, of the Silver Age of Latin literature. He was tutor and later advisor to emperor Nero. While he was later forced to commit suicide for alleged complicity in the Pisonian conspiracy to assassinate Nero, the last of the Julio-Cla Lucius Annaeus Seneca (often known simply as Seneca, in Portugueses Sêneca; ca. 4 BC – 65 AD) was a Roman Stoic philosopher, statesman, dramatist, and in one work humorist, of the Silver Age of Latin literature. He was tutor and later advisor to emperor Nero. While he was later forced to commit suicide for alleged complicity in the Pisonian conspiracy to assassinate Nero, the last of the Julio-Claudian emperors, he may have been innocent.
Book Description
Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His co Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context; it contains material illustrating Seneca's relationship to earlier Greek and Roman drama, Augustan poetry (Ovid's in particular), and the rhetoric of declamation. This edition will be welcomed by classical scholars and students of Latin poetry, and may also prove valuable to those interested in Seneca's influence on later European drama.
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