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Not available digitally or on paper through the Noor Library, it is for rating and review
| Author: | Alberto Moravia |
| Category: | Unspecified Category [Edit] |
| Language: | English |
| Publisher: | NYRB Classics |
| ISBN: | 1590171217 |
| Release Date: | 01 Jan 2004 |
| Rank: | 601,999 No 1 most popular |
| Short link: | Copy |
| More books like this book | |
The Author Book Boredom (New York Review Books Classics) and the author of 3 another books.
Alberto Moravia, born Alberto Pincherle, was one of the leading Italian novelists of the twentieth century whose novels explore matters of modern sexuality, social alienation, and existentialism. He was also a journalist, playwright, essayist and film critic.
Moravia was an atheist, his writing was marked by its factual, cold, precise style, often depicting the malaise of the bourgeoisie, underpin Alberto Moravia, born Alberto Pincherle, was one of the leading Italian novelists of the twentieth century whose novels explore matters of modern sexuality, social alienation, and existentialism. He was also a journalist, playwright, essayist and film critic.
Moravia was an atheist, his writing was marked by its factual, cold, precise style, often depicting the malaise of the bourgeoisie, underpinned by high social and cultural awareness. Moravia believed that writers must, if they were to represent reality, assume a moral position, a clearly conceived political, social, and philosophical attitude, but also that, ultimately, "A writer survives in spite of his beliefs".
Between 1959 and 1962 Moravia was president of PEN International, the worldwide association of writers.
The novels that the great Italian writer Alberto Moravia wrote in the years following the World War II represent an extraordinary survey of the range of human behavior in a fragmented modern society. Boredom , the story of a failed artist and pampered son of a rich family who becomes dangerously attached to a young model, examines the complex relations between money, sex, and imperiled masculinity. This powerful and disturbing study in the pathology of modern life is one of the masterworks of a writer whom as Anthony Burgess once remarked, was "always trying to get to the bottom of the human imbroglio."
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