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| Author: | Mario Vargas Llosa |
| Category: | Military Machines And War Machines [Edit] |
| Language: | English |
| Publisher: | Picador |
| ISBN: | 312427980 |
| Release Date: | 01 Jan 2008 |
| Rank: | 335,884 No 1 most popular |
| Short link: | Copy |
| More books like this book | |
The Author Book The War Of The End Of The World .
Mario Vargas Llosa, born in Peru in 1936, is the author of some of the most significant writing to come out of South America in the past fifty years. His novels include The Green House, about a brothel in a Peruvian town that brings together the innocent and the corrupt; The Feast of the Goat, a vivid re-creation of the Dominican Republic during the final days of General Rafael Trujillo’s insidiou Mario Vargas Llosa, born in Peru in 1936, is the author of some of the most significant writing to come out of South America in the past fifty years. His novels include The Green House, about a brothel in a Peruvian town that brings together the innocent and the corrupt; The Feast of the Goat, a vivid re-creation of the Dominican Republic during the final days of General Rafael Trujillo’s insidious regime; and Aunt Julia and the Scriptwriter, a comedic semi-autobiographical account of an aspiring writer named Marito Varguitas, who falls in love with Julia, the divorced sister-in-law of his Uncle Lucho.
He is also a widely read and respected essayist, writing everything from newspaper opinion pieces to critical works on other writers, including The Perpetual Orgy on Flaubert.
Vargas Llosa is also active outside the literary arena, and was a serious contender for the presidency of Peru in 1990 (eventually losing to the now disgraced Alberto Fujimori), an experience he documented in his memoir, A Fish in the Water.
On the controversial nature of some of his work he said, “The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.”
He was awarded the Nobel Prize in Literature for the year 2010, "for his cartography of structures of power & his trenchant images of the individual's resistance, revolt, and defeat".
Deep within the remote backlands of nineteenth-century Brazil lies Canudos, home to all the damned of the earth: prostitutes, bandits, beggars, and every kind of outcast. It is a place where history and civilization have been wiped away. There is no money, no taxation, no marriage, no census. Canudos is a cauldron for the revolutionary spirit in its purest form, a state with all the potential for a true, libertarian paradise--and one the Brazilian government is determined to crush at any cost. In perhaps his most ambitious and tragic novel, Mario Vargas Llosa tells his own version of the real story of Canudos, inhabiting characters on both sides of the massive, cataclysmic battle between the society and government troops. The resulting novel is a fable of Latin American revolutionary history, an unforgettable story of passion, violence, and the devastation that follows from fanaticism.
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